(Cj7) (Eb°) (Abj7) (G7)
I (C)fin´ly closed my (Dm7)eyes. When I (Em7)opened them a(Am7)gain,
(F)Much to my sur(Fj7)prise, I (G)saw the old, old man.
What (C)I had counted (Dm7)on had (Em7)been a big black (Am7)hole,
A (F)void, a (Fj7)nothing, a (G)no-place place to (F)lay to rest my (Fj7)weary (G)soul. (hold)
“Be a(C)ware I don´t (Dm7)care much for (Em7)you,” quoth (Am7)I,
“You´re (F)bad, not (Fj7)good, you´re (G)mad, why should
(C)I expect a (Dm7)better world (Em7)than the (Am7)earth
(F)Up here (Fj7)in the (G)sky?” (F) (Fj7) (G) (hold)
“You´re (C)right, seven (Dm7)days (one (Em7)off) did not suf(Am7)fice,
It (F)was my first (Fj7)earth, and, as you (G)saw with your own eyes,
It´s a (C)place where the (Dm7)good are crushed and (Em7)evil always (Am7)thrives.
I (F)tried and I (Fj7)tried, tried a(G)gain and again,
Till I (F)found what was (Fj7)wrong with my (G)mighty master plan:
I cre(C)ated man and (Dm7)woman in the (Em7)likeness of (Am7)me,
And I´m (F)bad, not (Fj7)good, I´m (G)mad, you see?”
(C) (Dm7) (Em7) (Am7) (F) (Fj7) (G) (hold)
We a(C)greed on (Dm7)that, and (Em7)onward we (Am7)sped,
Till we (F)saw a big gold (Fj7)banner a (G)little ways ahead.
(C)‘Heaven (Dm7)Seven’ is (Em7)what it (Am7)said,
(F)And, for (Fj7)sure, I (G)kind of liked that. (hold)
We (F)passed the Pearly Gates (E)(industrial grade pearls).
“How (F)many heavens are there?” I (E)asked, my mind a-whirl.
“Twenty-(A7)five,” he replied, “Even the (Bbj7)Lord gets bored, you know.”
“And (A7)how many hells?” (hold) “Not a-(Bbj7)(hold)one.”
“And (A7)(hold)why?” “Just (Bbj7)wait, and time will (A7)show.”
(Am7) (Em7) (Am7) (G/B) (Am7) (Em7) (Am7) (G)
(C) (Dm7) (Em7) (Am7) (F) (Fj7) (G)
(C) (Dm7) (Em7) (Am7) (F) (Fj7) (G) (F) (Fj7) (G) (hold)
The (C)place looked (Dm7)swell, the (Em7)place looked (Am7)fine,
Guitars, (F)basses, keyboards, single (Fj7)malt, good (G)beer and fine, fine wine!
Inte(C)resting gods and (Dm7)people in that (Em7)mighty (Am7)hall,
(F)Allah, (Fj7)Odin, (G)Jupiter and Buddha (F)playing (Fj7)beach volley(G)ball.
(C)Jimi taught John (Dm7)F. guitar, played (Em7)up a storm, you (Am7)know.
On (F)center stage, J(Fj7)S and (G)new arrival Rex
Were (F)putting on a (Fj7)splendid (G)show. (hold)
Said (C)I, “This is the (Dm7)place for (Em7)me to always (Am7)be!”
The (F)old man looked at (Fj7)me and (G)smiled.
“It´s (C)bad, not (Dm7)good, it´s (Em7)mad, you´ll (Am7)see.
Con(F)sider (Fj7)this, your (G)verdict is:
(F)Here for E(Fj7)TERNI(G)(hold)TY.”
Lyrics Giardini Naxos, Sicily, 06 & 07 October 2016
Music Goettingen, 20 October 2016
More than background music.
You'll hear folk, blues, jazzy songs, rock. Big voice. Albums recommended by
Gordon Bok, Harvey Andrews, Jez Lowe and others. janhauenstein@gmx.de
Why no free uploads? I cover songs. Register them with the German music rights agency GEMA. They hopefully reimburse the artists. The tax authorities demand that I make (not lose) a little money each year......more
The legendary Richard Thompson's new solo album exemplifies his many musical paths, from pop and cabaret to jazz to traditional folk. Bandcamp New & Notable Mar 2, 2024
Cara Beth Satalino's delicately melodic yet resilient indie folk songs sparkle with lyrical wit and hard-won wisdom. Bandcamp New & Notable Feb 10, 2024
If you have a fondness for expertly wrought roots-rock with sharp lyrics and aching vocals, look no further—“Strangers” is for you. Bandcamp New & Notable Jan 8, 2022